簡(jiǎn)介：

簡(jiǎn)介：　　

簡(jiǎn)介：　　霧港市經(jīng)偵大隊(duì)隊(duì)長(zhǎng)鄭義（王千源 飾）在調(diào)查一宗涉及數(shù)百億的股票詐騙案中，發(fā)現(xiàn)韓東川（馮紹峰 飾）以“Dr.Han”的名義，與好兄弟成立“大金牛投顧機(jī)構(gòu)”，利用直播誘導(dǎo)投資，做局詐騙。一場(chǎng)與時(shí)間賽跑的激烈較量，在警方反詐精英與“犯罪天才”之間展開(kāi)。而隨著調(diào)查深入，真相卻愈加撲朔迷離。韓東川有何隱情？幕后黑手究竟是誰(shuí)？重重迷局如何破解？在充滿(mǎn)欲望的金錢(qián)堡壘之中，一切懸念將被解開(kāi)……

簡(jiǎn)介：　　夏日飛霜，冤情難遣。每個(gè)地方都有難忘的血腥紀(jì)念日。張吉安永志的是1969年5月13日，馬來(lái)人與華人在馬來(lái)西亞大選后展開(kāi)全武斗，死傷枕藉。小女孩觀看粵劇中途幾乎遭毒手，僅憑躲入后臺(tái)逃過(guò)種族屠殺一劫。半世紀(jì)后，已遠(yuǎn)嫁他方的她再逢大選，魂?duì)繅?mèng)縈，舊魄不散，時(shí)空摺疊于無(wú)主孤墳，光影如真似幻，人注定迷走歧路。真人真事改編，魔幻現(xiàn)實(shí)的鏡頭、糅合民間信仰、戲曲藝術(shù)和歷史記憶，令觀眾無(wú)法不正視也許從未愈合的傷口。金馬影展開(kāi)幕片。

簡(jiǎn)介：　　Tú me abrasas is an adaptation of “Sea Foam”, a chapter from Cesare Pavese’s “Dialoghi con Leucò” published in 1947. The ancient Greek poet Sappho and the nymph Britomartis meet beside the sea and have a conversation about love and death. Sappho is said to have thrown herself into the ocean from lovesickness. Britomartis apparently tumbled off a cliff and into the water while fleeing from a man. Together, the two discuss the stories and images that have emerged around them to try and understand, at least for a moment, the bittersweet nature of desire. The film adapts not only the text but also footnotes and gaps in the story. For example, the fact that, in 1950, a desperate Pavese committed suicide in a hotel room with this book by his side. Or that Sappho’s poems have survived only in fragments. Or that sea foam is historically and scientifically associated with fertility and bacteria, that is, with life itself. “Everything dies in the sea and comes back to life,” says Britomartis. Tú me abrasas introduces new readings and translations that go beyond the myths by Pavese and Sappho.

簡(jiǎn)介：　　電影由漢中何振基創(chuàng)作的長(zhǎng)篇小說(shuō)《母親河》改編而成，以小見(jiàn)大，通過(guò)“母親河”漢江邊上陽(yáng)壩村里的幾個(gè)年輕人的生活情感、迷惘挫折、成長(zhǎng)的歷程，展現(xiàn)了陜南人民在面對(duì)困難、貧窮時(shí)，在美麗鄉(xiāng)村發(fā)展建設(shè)奔向富裕的過(guò)程中，改造自然并與自然環(huán)境和諧共生，進(jìn)行可持續(xù)發(fā)展的艱苦卓絕的奮斗。